Use the app to arm recording, and you’re off to the races. To use this for a preview, we would snap a photo, review it then make any needed adjustments and repeat the process until the scene was as it needed to be. It doesn’t have a preview, but will let you review past shots. The function of the app is to change the settings and control recordings. A smudge on a lens looks bad and could affect the stitch. Once we identified this as a problem - unfortunately after we got back to review the footage - we brought a lens cloth with us and made a habit of cleaning them before every take, just to make sure. This is common for 360 cameras because there are lots of lenses, but because of the hockey puck shape, keeping a hand or finger off the lenses is hard. One thing we struggled with while shooting the VUZE 360 is keeping the lenses clean. Eight total lenses provide a 3D perspective. The added depth to the scene from 3D was welcomed. The resolution was good, and everything looked natural. With ample space between the camera and any subject matter, the image looked great. In the scene was the intersection, and a small strip mall. Shooting an intersection with a four-way stop light during heavy traffic, we positioned the Vuze on one of the street corners. Or, you can take it a bit further and replace the area with a picture of the flooring to make the stand disappear. #Vuze camera PatchThe stitching software will allow you to put an image to patch over the stand area. A problem that many 360 cameras have is that the tripod or stand holding the camera always looks strange because it’s so close to the camera. With the Vuze 360, keep subjects directly away from the corners. Keep the stitch points out of important areas of the scene and you'll get the best results. Once the limitations of the camera is identified, it’s then that the best shots can be made. Though it gives you three feathering options, they aren’t very different from one another.ģ60 Video isn’t like producing anything else, every 360 camera we have used has had a different workflow, but all share the same problem: get too close and you’ll see the stitch. When you need to adjust the auto-stitch, there are just three options to choose from. 360 Video isn’t like producing anything else, every 360 camera we have used has had a different workflow, but all share the same problem: get too close and you’ll see the stitch. We’d recommend keeping anything away from a five foot radius around the camera. #Vuze camera freeA stitch free shot requires subjects to be three or more feet from the camera. When Humaneyes showed us the camera at CES, this was the first point they made about the camera. The biggest problem we experienced with the auto-stitching was when something is too close to the camera. Within the software, you just mark a keyframe, the software thinks, and poof - it's fixed. It was most apparent when trying to deal with an imperfect stitch. The first is that it’s so simple, if you want or need more flexibility, too bad it’s simple and will do everything for you. Once we dove a bit deeper, we began to understand the limitations of the camera. Their purpose-built software knows where the stitch points are, but gives you little control over them. #Vuze camera fullAt this point in 360 video, the best outcome requires a full end-to-end product. When it first arrived to Videomaker HQ, right away we were able to capture 360 video and with very little effort, stitch it and create a final clip. It's a bit difficult to photograph, but is really easy to use. The Vuze 360 is an odd looking flying saucer of a camera. Although subtle, the added depth 3D offers creates a more real feeling when compared to 2D 360 video. Outside of two shots within the demo, the perspective gained from 3D was interesting and obviously a stand-out feature. When we got to see what it captured, it was a unique experience. We were able to see the workflow of the Vuze 360 while at CES, and it seemed too good to be true (but more on that later).
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